Introduction
to Film and Video
Rhode
Island College Syllabus for Comm 241
Tuesday 2:00-5:50
Whipple
107 Spring 2009
Instructor:
Professor
Philip J. Palombo,
Whipple 214 phone 456-8044
This Syllabus will get updated so check back regularly -
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Catalog Description:
Description:
Prerequisite: The course has no prerequisites and is
designed for freshman and sophomore students in all majors, but
effective reading and writing skills are crucial for success in
the course.
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On reserve at the library are DVDs:
The
Player, The
Cooler, Sex
Lies and Videotapes,
American
Splendor, and
1. journal ------------------------ 30
pts.
You can always email me pertaining to any
questions you may have regarding the course or certainly all
things related to RIC that I may be able to help you with. |
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Approximate
Schedule: Screening: AFI: THE DIRECTORS: Martin Scorsese 3/31 Chapter 8: Alternatives to Live-Action Fictional Films: Documentary, Experimental, hybrid, & animation Screening: TBA 4/07 Chap 8 Alternatives to Live-Action Fictional Films Screening: This Film Is Not Yet Rated (2006) 97 min 4/14 Screening: Tarrantino's Pulp Fiction (2004) 150 min 4/21 Chapter 10: Thinking about Films & The Independent 4/28 Experimental, Hybrid and animation: WebStreaming 4/28 TBA |
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Journal Guidelines (30 points) More Details>> Until March 3, you are required to respond in writing to every complete film we screen to that point. We anticipate three to write about. For each of these screenings write about several aspects of the film that are important to you (for example, a character trait, some action, a setting, the lighting, the music, the editing of a scene, an idea implied or stated). The films include: The Player, Sex Lies and Videotape & American Splendor. Be sure that each paragraph explains only one major aspect, and make sure you give enough specifics so that the paragraph's point is clear and persuasive. During the first draft, it may help you to write quickly focusing on what you want to say and not worrying about how well you are writing. Most people find that it helps to write immediately after seeing a film then to rewrite later in the day or on the next day, or to rewrite later in the day and the next day. In the journal you submit on March 17, include only the final draft of each entry. Entries should be about 500 words for feature-length films. (500 words = two double-spaced typed pages with one-inch margins.) All entries must be typed and numbered. Journals will be graded from 0 to 20 based on following directions, completeness, clarity, factual accuracy, and originality of insights (not merely repeating points made in class or in the book). I will not read every entry; instead, I will choose several entries at random and read and grade them as representative of the journal as a whole. The journal is a very important course requirement, worth 30 points, so please plan to put considerable effort into writing and rewriting your entries. |